New Orleans Bounce

”Bounce itself has been around for about 20 years. Like most hip-hop varietals, it’s rap delivered over a sampled dance beat, but it has a few characteristics that give it a distinctively regional sound: it’s strictly party music, its beat is relentlessly fast and its rap quotient tends much less toward introspection or pure braggadocio than toward a call-and-response relationship with its audience, a dynamic borrowed in equal measure from Mardi Gras Indian chants and from the dawn of hip-hop itself.”

New York Times Magazine har ett spännande reportage om New Orleans Bounce som under det senaste decenniet har haft en utveckling som är tämligen annorlunda än den vanligen så homofoba hiphopen. En lokal kommentar till varför det är så:

”As far back as the ’40s and ’50s, it was a really popular thing […]. Gay performers have been celebrated forever in New Orleans black culture. Not to mention that in New Orleans there’s the tradition of masking, mummers, carnival, all the weird identity inversion. There’s just something in the culture that’s a lot more lax about gender identity and fanciness. I don’t want to say that the black community in New Orleans is much more accepting of the average, run-of-the-mill gay Joe. But they’re definitely much more accepting of gay people who get up and perform their gayness on a stage.”

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